The cold frame in the garden is crusted over with ice. In a few months it will be closed, with green seedlings sprouting under the glass.
The chickens got an extra treat of hot oatmeal with their apples this morning. It's messy but they love it. I checked for frostbitten combs and feet, but they all seem to be fine.
Inside we are listening to the furnace crank on over and over, while the wind blows smoky snow past the windows. Our house is so bright and white inside when the sun reflects off the snow that our eyes get tired after awhile. We are working away at Greek history. R surprised me by showing me this picture from her history textbook (The Human Odyssey), and asking if this is the same painting we saw at the Art Museum last week. She's right! It's "Le Cheval de Troie (The Trojan horse)" (1874) by Henri-Paul Le Motte. I love when she puts ideas together across subjects like that.
We looked at some other artists' conceptions of the Trojan horse, some that looked like a realistic horse and some, like this amazing painted still from the 2004 movie Troy, that looked like they had been nailed together with ships' timbers. Or the "planks of fir" from Virgil's Aeneid.
After many years have slipped by, the leaders of the Greeks,
opposed by the Fates, and damaged by the war,
build a horse of mountainous size, through Pallas’s divine art,
and weave planks of fir over its ribs:
they pretend it’s a votive offering: this rumour spreads.
They secretly hide a picked body of men, chosen by lot,
there, in the dark body, filling the belly and the huge
cavernous insides with armed warriors.
opposed by the Fates, and damaged by the war,
build a horse of mountainous size, through Pallas’s divine art,
and weave planks of fir over its ribs:
they pretend it’s a votive offering: this rumour spreads.
They secretly hide a picked body of men, chosen by lot,
there, in the dark body, filling the belly and the huge
cavernous insides with armed warriors.
- (Virgil's Aeneid, Book II)
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